Ici, la scène a été réalisée dans Lightwave, puis composée dans Motion. Les animation de la robe et du voile ont été faites dans Lightwave avec Syflex et corrigées ensuite dans Chronosculpt.
I'm still doing some tests for my someday-to-come short movie about the White Lady of Trecesson. I'm still trying to get a sensation of "animated painting" by using the 2.5D technique, with 2D cards placed in a 3D environment to get a nice parallax effect, and by mixing some animated objects with the 2D cards.
For this scene, I rendered everything in Lightwave, then composited everything in Motion 5, where I also added all lightning effects. The animations of the veil and the dress were made in Lightwave with Syflex, and corrected in Chronosculpt, which helped a lot, especially for the veil.